White boy don't dig it, course, would you? But he don't get to say, cuz Mouse move his hand an that diamond show wetblood red-move his hand an say, "This way, now, boy. You gotta book an I don't wanna keep ya."

He go on down that shimmery, glimmery sidewalk an white boy got no choice but follow. He don't be likin this, unnerstan, but Mouse Mojo is his only hope of life. Jax boys find him, they make him into pieces, then kill the pieces, one by one. He take one look behine fore he follow Mouse away, just to see how close Jax boys come.

Behine him there's the street, buildins jumpin on either side. End of street, where it hit Howard, is-nothin. Not black. Not white. Not fog. Not light.

Nothin.

"Face of Granny Time," say Mouse, an take his elbow, easin him down the street.

There people on the street. Cops an drug kings, whores an queens. Some dress in satin, some dress in silk. Some dress in khaki, homespun. Rags. They smile when they see Mouse. They raise their hands. Mouse smile back. Wave. His people go on down the sidewalk, go in them buildins an out.

White boy look at Mouse.

"They dance with Granny Time, too? These folks here?"

"They do," say Mouse.

White boy take a breath, watchin the people flow past him-minidresses an zoot suits. Ayrab cotton an hoop skirts.

"I gonna dance, too, Mister Mouse?"

Mouse he laugh, soft like, reach out an ruffle the hair of a pickeninny in homespun.

"No, boy. These folk here ain't got no 'counts. Their ledger sheet gone missin. Or their sum be in dispute. You, now you got 'count. You be added, subtract-ed, noted down an analyzed. We know just what to do with you, m'man. We seen your kind before."

White boy swallow an try to think of another question. Fore he do, Mouse stop, fingers diggin white boy's elbow.

"In here."

This buildin don't boogie. White boy find that-ominous. This buildin got no window. Got no door.

"In?" he say to Mouse. "How the hell I'm s'pose-"

Mouse step forward, draggin white boy with him. He walk through that wall, white boy half a step behind.

Everything go way for a minute into cold nasty. Then everything come back an they in a round room all shiny black marble. White boy's stomach turn over. He gag. Mouse pull him close inside, stand him in the center of the room an step back. That big diamond on his finger be black by now. Black like the shiny black walls.

"All right, William," he say, pullin the papers from his pocket. "Now's time to pay up." He unfold his papers an look down.

"You holdin three grand cash," he say, for all the world like he readin it off a list. "You holdin one pound crack. They forfeit." He look up an point at the floor by his shoes. "Toss 'em out here."

White boy's feelin foggy hisself. Feelin-less then together. He reach in his pocket. He toss the stuff. Minute later, he toss the cash.

"Right," say Mouse. "Now you book." He fold the papers, start to slide them in his pocket

"Wait!' scream white boy. "Wait. I-I change m'mind. I stay here. Talk with Jax. Make it right..."

Mouse shake his head, put his papers away. "Too late, William. You walk the street, you pay the price."

White boy break, then. He fling hisself at Mouse, hands out like he gonna latch roun m'man's throat an-

He bounce, half a foot out from his standin place. Bounce an fall. He's up quick and jumps again. Bounce an fall. This time he get up slow, wipe blood off his nose.

"At least tell me where I'm goin," he say then.

Mouse sigh. "Up to Granny Time, boy. Can't say where for sure. This street-what they call a vortex, see? Sometime it here, sometime it not. I don't know all the places you might go. I can tell you what kind of places, if you wanna know. Might be better, not to know."

"I'm gonna know in a minute, anyhow," white boy say an Mouse bow his head.

"That's so." He pull his papers out an stand holdin them in his hand. "Way it works, you got a debt to Granny Time. Debt ain't balanced by cash an' stuff-not near balanced. So Granny take the rest outta your hide, just like your old man useta." He sigh.

"Places like maybe you go: Ancient Egypt, totin stone. Old Turkey, cock shaved an servin the harem. Whore boy in Victorian England. Other places-I can't say'em all, boy. Granny Time span planets, some of 'em worse then here."

White boy slide down to sit on the shiny black floor. Tears mix up with the sweat on his face.

"I ain't goin," he say an dig real sudden in his pocket. Pulls out his piece. Mouse shake his head.

White boy set the barrel in his mouth, close his eyes, pull the trigger.

Nothin happen. Course not.

White boy scream, then, jump up an throw the piece. It hit the floor tween Mouse's shoes.

"You kill me, then!" he yell.

Mouse shake his head an step back, tucking his papers away.

"Can't do that, boy," he say, soft like. "Granny Time got her hook in me, just like she got it in you."

White boy got time for one more scream, while his standin place fills up with fog, swirlin, glitterin. The fog spin an Mouse watch, like he have to watch, everytime this go down. Then the fog fade away an Mouse look down at his hand. That big diamond's clear now. Clear, just like tears.

* * *

Jax boys climb that long black stair, come out into Shantelle an stop. Grooj come forward by hisself, nod to Widda, there hind her counter.

"Lookin f'Mouse Mojo."

Widda point an Grooj go back to that certain table. The man sittin there look up from his papers an fold his hands, the big diamond on his least finger blazin white.

"Mornin, Mister Mojo."

"Mornin, Mister Robinson."

Grooj he ain't been Robinson for thirty year, but he know better then to ask.

"Lookin for a friend," he say instead. "Mister Jag Saratoga. Thought maybe you seen him."

"I seen him," say Mouse.

Grooj sigh. "I need somethin to tell Jax, Mister Mojo. You unnerstan."

"I do." Mouse take a minute, look down at-into-his diamond.

"Tell Jax Mister Saratoga he gone," he say, an look up at Grooj. "Tell Jax woman he got everything he ask for."

ANGEL'S KITCHEN

Chris Szego

"WZF'DR?"

Kess said, "Swallow, Bee."

Bee chewed at a ferocious rate, swallowed audibly. "What's for dinner?"

"More of what you're eating, so I hope you like it."

"S'fine," Bee said, already into the next mouthful.

Kess resisted the urge to tell Bee to slow down. In this part of Senneville, he who ate slowly, went hungry. Or she, as was likely the case with Bee. Kess was fairly certain, but wasn't about to ask. It was still marginally safer to be a boy, and here in the Darks, any margin was better than none.

The seeded roll and the stew disappeared faster than charity in hard times. There were barely crumbs left. Partly because Bee's technique was three quarters inhalation, but also because Bee was a tidy person.

As if that sounded some sort of silent direction, Bee gathered plate, bowl and spoon in one motion. "I'll just do these up quick."

Tidy and responsible. For months Kess had worried about Bee, who was neither Hap nor Cane, and who, though undoubtedly older, was the size of a fragile eight year old. But Bee would take nothing extra, would take barely at all, until, inspired, Kess had offered a job. Now Bee appeared at the Kitchen at midday, to help Kess with the mountain of dishes left over from the previous night's meal.

And Kess got to be sure that her smallest charge was eating enough, if not plenty.

And not 'charge'. Small, yes, and possibly fragile. But Bee's eyes were as old as everyone else's around here. As old as Senneville; as old as hunger.

Kess followed Bee into the dish room. Bee had already started on the cutlery. Kess went to work on the pots.

An hour later saw the dishes clean, and Bee out the door. Kess never watched when Bee left: it would be too much like prying. But she always knew the moment Bee had gone. And that was a problem.

If there was one lesson to be learned at the Angel's Kitchen, it was not to get attached. Not to the hungry crowd who came every night. Not to the wealthy few, who helped out until their hearts broke and they quietly disappeared. And never to the children.

A heavy fist on the door pounded her out of those thoughts. Kess looked through the mirrored arrangement Lucius had set up for her, and sighed. The young man was wearing Cane black. She didn't recognize him. He wasn't long in the Darks, not with that smooth skin, that bright hair. Farm boy, probably, recently come south.

She opened the door. "Dinner's not for another few hours."

"What?"

"You're early. Canes don't eat until eight."

"What?" He shook his head. "What are you talking about?"

"Dinner," she said patiently. "Canes eat at eight; Haps come at nine."

The young man, boy, really, goggled. "Haps? Here? In Cane territory?"

Hmm. If the Kitchen was now in Cane territory, the next few weeks would be... exciting. To say the least. "Did Ash send you to tell me that? That Cane territory has grown?"

"Ash? Talk to me? Huh." The boy pulled back, looked away. "I mean, he will, soon. He'll know me. He'll know my name." He said it like a vow, a prayer. Not to Bel, but to one of the older gods, who dealt in gold and fire.

From a boy who looked like he should have been piping the wild sheep down from their ragged hills, it was particularly ardent. And touching. Kess decided not to tell him that Ash knew his name, his hole, and likely, his entire life history.